Scott Pilgrim vs. Hollywood: a Scott Pilgrim Experience Review

I absolutely loved Bryan Lee O'Malley's 'Lost At Sea', from the teenager angst to the simply beautiful, solemn and quirky artwork, but when his next series, 'Scott Pilgrim' came out I thought it seemed to silly or something, and it never really caught my attention.

Until one day my good friend Reilly Brown said that I HAD to read it. There were just too many similarities between Scott's life and my own. Granted I wasn't an early 20's bassist in Canada, but I was a slacker with a young ex with a penchant for blades, and relationship drama mixed with oblivious comedy sounded about right.

The comic melted my brain. It was an indie book, with characters that just hung out, went to parties, and meandered through their lives. It was a battle book where suddenly a duel would take place with superpowered kung fu. Scott was clueless and yet you couldn't keep him down for long. It was rock'n'roll mixed with subtle video game moments. What was this?

The comic makes you love the characters, from the bitchy Julie Powers, to snarky Kim Pine, to vulnerable Knives Chau. Stephen Stills cowboy shirts, Young Neil's haircuts, and Wallace Wells dry wit, these were all iconic people in Scott Pilgrim's universe, well rounded and each given their moments, their personalities developed organically through the volumes.

Now, I must say, I love Edgar Wright. I've seen his BBC series Spaced at least three times through, and. Shaun of the Dead was brilliant in its skirting of the fine line between horror and comedy. Hot Fuzz was a sophmore dip, but it had tons of fun moments. This was an amazing storyteller of a director with a ton of geeky influences and a plethora of visual tricks.

So when I heard that he was directing Scott Pilgrim vs the World, it was like nothing I've experienced as a fanboy. My favorite superheroes have yet to make it to the big screen, and the closest I got to having one of my all-time favorite graphic novels translated to film well was V For Vendetta, which I quite liked. But this was different.

Here we had excellent source material with loveable characters, fun violent action, and a director that seemed to be perfectly suited for the lighthearted tone this adaptation would need. It features a bunch of actors I really enjoy, and with the teaser images Wright posted on his Flickr all last year while filming, it appeared it was devoutly faithful. Would it live up to the trailer that gave me chills when I first saw it?

Yes. Yes, it did. But do I feel some sort of deflated feeling after following the internet media push that was almost as entertaining as the comic itself? Yes, it's done, out into the ether to be consumed by the masses. In a few weeks it'll be half-remembered, perhaps quoted, inspiring new fans to track down the books, sport Plumtree t-shirts, and maybe start their own bands (like me).

Around Christmas we'll get the DVD release, maybe some rad extra features, behind the scenes, video game samples, etc. I'll pick up the special edition collection of all six volumes, complete with unreleased material as soon as it comes out. And there it'll sit for future enjoyment at a whim.

This time will never be captured again. Like seeing that epic band performance at the coliseum where you got the tour shirt that'll be expensive vintage for futuristic hipsters who were never there in the moment. But there's something about films that makes them timeless, just as we can enjoy classics from the past on Blu-Ray.

Now, as for the movie itself, (I had to explain all the emotions and thoughts involved to properly process my feelings) the first half is perfection. This is Scott Pilgrim's comic/video game universe come to life. The fantastic camera movements, the interactive narration and title cards introducing our main characters, the true performances that sell them as their graphic novel counterparts, it's all there.

The first half is almost shot for shot the introduction, I remembered the exact angle and background when Scott first sees Ramona at the library. I got giddy. Then suddenly new elements pop up, or small bits skipped over (which is flawlessly handled by Wright as he cuts a sharp turn from scene to scene), and then you realize that this is a movie of Scott Pilgrim.

I tried to not be that elitist fanboy that makes mental notes about what's missing and lines that were different, but it popped up now and again. And I told myself that O'Malley hadn't even completed volume six until months after filming had wrapped, so of course it would be different. There wasn't time for Julie & Stephen's drama, or Scott & Ramona to move in together.

And though I had slight problems with the end of volume six, it felt complete, satisfying. So the movie would have to do the same. And logically, I feel it satisfying me, but emotionally, something wasn't there. The fights came fast and frantic in the second half, never really letting Scott & Ramona to settle into being a couple. Those scenes were Scott gets a job or has birthday were what makes them the couple I know them as.

But yes, it's a two hour film so, I try and take it as a complete story, and it works. There's conflict and resolution and we're given an identical ending to the comic really, if not slightly stripped down and amped up for a more one on one style fight. What matters is the spirit is there. Scott earns the power of love and levels up, Sex-Bob-Omb rocks out, and Evil Exs are defeated.

I'd call that a flawless victory.

Ps- you can stream the soundtrack and the score, and my takes on those are that between them both is a solid album, if only the kickass Sex-Bob-Omb songs were on the score. My particular favorite is 'Summertime' which has been stuck in my head for days.

Now, who wants to start a band with me?

Thor Marvel Comics

I have just read the first 12 issues of Thor and the finale, as well as Thor 600 & 601 (going along with Marvel's return to original numbering, the flipside to the constant new issue #1s). This run by JMS, drawn by Oliver Copiel & Marco Dudjerjejrk, chronicles the return of Thor and all of Asgard from the post-Ragnarok void that the God's rested in when I guess Marvel didn't know what to do with the character (along with the Avengers) and killed them all off.

JMS does an amazing job resetting continuity while moving the series forward story-wise. Thor is called forth to protect Midgard (Earth) and is once again bonded to Dr. Donald Blake (who are two seperate conscious beings). He's got the gnarled walking staff which he uses to transform into the God of Thunder. And he's brought back into Man's world to re-create Asgard on Earth to reconnect with humanity.

Heimdall, Balder, Loki, the Warriors Three, they're all back (although Loki in female form which works to unsettle and regain trust with the Asgardians just enough to manipulate them all, and later is revealed as a plot to keep Lady Sif from Thor). Everyone is back except Odin.

Though it appears Thor is purposefully not bringing back his father, he tells himself it is so the kingdom may not repeat the cycle of Ragnarok once more. It will be a fresh start for the Asgardians. But perhaps it is because Thor truly wishes to lead, to come into his own, to surpass his father.

To that end Thor journeys via Odinsleep, into the realm that now houses Odin and Surtur, who are locked in eternelly repititious cycles of violence against each other. Here we are told a tale of Bor, Odin's father, and how in defiance of him Odin created man, who his father plagued with monsters and beasts to punish his son and his creation. Odin understands the need for the cycle to begin anew with new leadership.

This tale of Bor also sets up an interesting twist on the origin of Loki and how he came to be adopted son of Odin, the guilty poison let into the kingdom. I won't spoil it past that as it is truly one of the most clever bits in this run. It also sets up the return of Bor who is brought to NYC dis at the hands of Loki, and then beset by Thor, who ends up killing his own grandfather.

A move that allows Loki to place Balder as King (after slyly revealing the truth that Balder is half-brother to Thor), and to have Thor exiled. This brings the Asgardians into Latveria, and Doom experiments on them, and there's a big fight with Doom's own version of the Destroyer suit. It's pure comic book here.

But it also has nice moments of the Gods interacting with humans, and even sets up a heroic death for Bill Jr. (aka William the Third) who fell in love with a female winter goddess. It's pretty well done and you really do root for the character and his death is handled exceptionally well if not blunt. But these are gods here. Depowered a bit on Earth, but gods among mortals.

There's even a bit at the end which makes it so Dr. Donald Blake once again is wounded and left with a limp so he needs the cane. It's all very neatly tied up with a bow, leaving us with a well developed story, an entertaining and engaging return of the great characters from this part of Marvel, and prepares us for Siege.

A small plot hole I found was, what was Loki's plan for Sif, it almost seemed as if he were just using her to distract Thor, or perhaps just using her mortal form to regain trust? I'm not sure, but it wasn't to remove her from him forever.

Either way, it's great to have Thor back, and the scene where Thor gives Iron Man what's coming to him for the Civil War/Thor clone debacle, and the Captain America memorial, well this really helps build up the need for a return of the Avengers.

Thor Marvel Comics

I have just read the first 12 issues of Thor and the finale, as well as Thor 600 & 601 (going along with Marvel's return to original numbering, the flipside to the constant new issue #1s). This run by JMS, drawn by Oliver Copiel & Marco Dudjerjejrk, chronicles the return of Thor and all of Asgard from the post-Ragnarok void that the God's rested in when I guess Marvel didn't know what to do with the character (along with the Avengers) and killed them all off.

JMS does an amazing job resetting continuity while moving the series forward story-wise. Thor is called forth to protect Midgard (Earth) and is once again bonded to Dr. Donald Blake (who are two seperate conscious beings). He's got the gnarled walking staff which he uses to transform into the God of Thunder. And he's brought back into Man's world to re-create Asgard on Earth to reconnect with humanity.

Heimdall, Balder, Loki, the Warriors Three, they're all back (although Loki in female form which works to unsettle and regain trust with the Asgardians just enough to manipulate them all, and later is revealed as a plot to keep Lady Sif from Thor). Everyone is back except Odin.

Though it appears Thor is purposefully not bringing back his father, he tells himself it is so the kingdom may not repeat the cycle of Ragnarok once more. It will be a fresh start for the Asgardians. But perhaps it is because Thor truly wishes to lead, to come into his own, to surpass his father.

To that end Thor journeys via Odinsleep, into the realm that now houses Odin and Surtur, who are locked in eternelly repititious cycles of violence against each other. Here we are told a tale of Bor, Odin's father, and how in defiance of him Odin created man, who his father plagued with monsters and beasts to punish his son and his creation. Odin understands the need for the cycle to begin anew with new leadership.

This tale of Bor also sets up an interesting twist on the origin of Loki and how he came to be adopted son of Odin, the guilty poison let into the kingdom. I won't spoil it past that as it is truly one of the most clever bits in this run. It also sets up the return of Bor who is brought to NYC dis at the hands of Loki, and then beset by Thor, who ends up killing his own grandfather.

A move that allows Loki to place Balder as King (after slyly revealing the truth that Balder is half-brother to Thor), and to have Thor exiled. This brings the Asgardians into Latveria, and Doom experiments on them, and there's a big fight with Doom's own version of the Destroyer suit. It's pure comic book here.

But it also has nice moments of the Gods interacting with humans, and even sets up a heroic death for Bill Jr. (aka William the Third) who fell in love with a female winter goddess. It's pretty well done and you really do root for the character and his death is handled exceptionally well if not blunt. But these are gods here. Depowered a bit on Earth, but gods among mortals.

There's even a bit at the end which makes it so Dr. Donald Blake once again is wounded and left with a limp so he needs the cane. It's all very neatly tied up with a bow, leaving us with a well developed story, an entertaining and engaging return of the great characters from this part of Marvel, and prepares us for Siege.

A small plot hole I found was, what was Loki's plan for Sif, it almost seemed as if he were just using her to distract Thor, or perhaps just using her mortal form to regain trust? I'm not sure, but it wasn't to remove her from him forever.

Either way, it's great to have Thor back, and the scene where Thor gives Iron Man what's coming to him for the Civil War/Thor clone debacle, and the Captain America memorial, well this really helps build up the need for a return of the Avengers.

Thor Marvel Comics

I have just read the first 12 issues of Thor and the finale, as well as Thor 600 & 601 (going along with Marvel's return to original numbering, the flipside to the constant new issue #1s). This run by JMS, drawn by Oliver Copiel & Marco Dudjerjejrk, chronicles the return of Thor and all of Asgard from the post-Ragnarok void that the God's rested in when I guess Marvel didn't know what to do with the character (along with the Avengers) and killed them all off.

JMS does an amazing job resetting continuity while moving the series forward story-wise. Thor is called forth to protect Midgard (Earth) and is once again bonded to Dr. Donald Blake (who are two seperate conscious beings). He's got the gnarled walking staff which he uses to transform into the God of Thunder. And he's brought back into Man's world to re-create Asgard on Earth to reconnect with humanity.

Heimdall, Balder, Loki, the Warriors Three, they're all back (although Loki in female form which works to unsettle and regain trust with the Asgardians just enough to manipulate them all, and later is revealed as a plot to keep Lady Sif from Thor). Everyone is back except Odin.

Though it appears Thor is purposefully not bringing back his father, he tells himself it is so the kingdom may not repeat the cycle of Ragnarok once more. It will be a fresh start for the Asgardians. But perhaps it is because Thor truly wishes to lead, to come into his own, to surpass his father.

To that end Thor journeys via Odinsleep, into the realm that now houses Odin and Surtur, who are locked in eternelly repititious cycles of violence against each other. Here we are told a tale of Bor, Odin's father, and how in defiance of him Odin created man, who his father plagued with monsters and beasts to punish his son and his creation. Odin understands the need for the cycle to begin anew with new leadership.

This tale of Bor also sets up an interesting twist on the origin of Loki and how he came to be adopted son of Odin, the guilty poison let into the kingdom. I won't spoil it past that as it is truly one of the most clever bits in this run. It also sets up the return of Bor who is brought to NYC dis at the hands of Loki, and then beset by Thor, who ends up killing his own grandfather.

A move that allows Loki to place Balder as King (after slyly revealing the truth that Balder is half-brother to Thor), and to have Thor exiled. This brings the Asgardians into Latveria, and Doom experiments on them, and there's a big fight with Doom's own version of the Destroyer suit. It's pure comic book here.

But it also has nice moments of the Gods interacting with humans, and even sets up a heroic death for Bill Jr. (aka William the Third) who fell in love with a female winter goddess. It's pretty well done and you really do root for the character and his death is handled exceptionally well if not blunt. But these are gods here. Depowered a bit on Earth, but gods among mortals.

There's even a bit at the end which makes it so Dr. Donald Blake once again is wounded and left with a limp so he needs the cane. It's all very neatly tied up with a bow, leaving us with a well developed story, an entertaining and engaging return of the great characters from this part of Marvel, and prepares us for Siege.

A small plot hole I found was, what was Loki's plan for Sif, it almost seemed as if he were just using her to distract Thor, or perhaps just using her mortal form to regain trust? I'm not sure, but it wasn't to remove her from him forever.

Either way, it's great to have Thor back, and the scene where Thor gives Iron Man what's coming to him for the Civil War/Thor clone debacle, and the Captain America memorial, well this really helps build up the need for a return of the Avengers.

Power Play #2 breakdowns

Dodgeball
General contestants, hint at recurring characters, see Kris taking bets on the side, friends in the stands, discovering a bit of powers. Glimpse of Ice Queen.

Line up, misfits and weirdos, all standing at a starting line in a warehouse in Gownus. Mac is so busying looking around that he misses the announcements. He sees Kris behind the bleachers taking bets, then bam, starting gun, everyone runs, tennis balls being fired from the audience. His friends firing at him, hitting other people, then wham, softballs knocking people out. He dodges and gets wailed a few times. As he gets closer he spies Ice Queen off to the side. Suddenly a bowling ball is launched straight for his head, he just ducks in time for it to smash someone behind him. He turns into a bowling ball and runs the rest as the balls all bounce off him. He wins! All confident and bragging as he tries to find Ice Queen in the crowd.

Obstacle Course
More one on one contestants, things get nasty, set up the animosity for the final four. Hint at Gowanus Pete.

Smaller starting line, about a quarter of the people. Lined up in a parking lot, next to the studio. There's police barricades and old jungle gym equipment lining the streets. Then they set them on fire. Go! Mac tries to run but stamina is not his strong suit, either is agility. He falls behind as nimble contestants fly past him. People try and trip him up, take each other out as they jump and run, Mac turns into a stretchy material and stretches ahead. Climb up the building, things are getting fierce, then across the rooftops as everyone leaps across the street. Some people fall into bouncy castles set up on the street below and some bounce and hit the street. Mac just barely makes it across. Mac spies Gowanus Pete standing on the smoke stack watching, before diving backwards into the water. They climb the Kentile sign and the main rival grabs the flag. Mac loses.

Tazer Tag
Serious battle. Tense. Regenerating Hipster. Ice Queen .gsign up sheet. Registered for the bigger competition.

Down the Drain

'Hey how r u? Haven't texted you in a bit. Hope all is well.'

She folded up her phone and tried not to check it seconds later for a response.

The quiet of the apartment was disturbed by the gurgle from the sink. Since the day she moved in she'd been unable to get the super to come in and take a look at it. She's poured Drain-O, bleach, and boiling hot water into it hoping she'd be able to clear the pipes.

Her hand reached out for her cell phone but she stopped herself as her fingertips brushed up against its hard plastic. She wouldn't let him get the best of her. He'd text back when he was free. Then they'd finally meet up. They'd grab dinner and drinks and go dancing and then...

GURGLE BLOOP BLOP.

That was it. This goddamn sink had gotten on her last nerve. She dug out that snake thing her dad left in her bathroom closet. She had no idea how to use it, but it was time to shove something in there, get whatever muck was making this repulsive noise. She'd finally have some peace and quiet.

After fumbling with it for a few minutes, she fed the line down the drain and kept feeding it down further and further. There was no resistance, though she was in a fury to get it in there and wouldn't have noticed anyways. Eventually she ran out of snake.

She gave it a slight tug and it held firm. It was snagged on something. Then it jerked in her grip. It pulled itself further in. She held it tight and pulled with all her might. But it was no use, it reeled itself in and ripped her right off her feet, smashing her face first into to sink.

Groggily, she tried to lift herself back up but suddenly her face was like putty, melting into a pool, her skin slipping away from her, sliding down into the pipes. Her muscles went slack and she began to dissolve, dripping and oozing her way down the drain. She thought of the foaming action of that drain cleaner she spent twenty bucks on from Duane Reade.

Her entire being was smooshed through a cylinder the size of a cardboard tube. She slooshed and slopped her way inch by inch gliding down into darkness, the snake line still dragging her through the labyrinth of plumbing. Oddly, she wasn't even concerned, except now she couldn't check her phone to see if he replied.

When her essence had dripped fully into a puddle upon the floor of the cavern, she awoke. No longer of the gooey, fluid consistency, she stood and looked around. Amber tones, a tan screen slid before her eyes, she rubbed them, and once again saw a whole new world of sepia. It was old-fashioned in style, vintage in substance.

Unreal reality blown out all about her. A bedroom set, metal wire-framed bedframe, frilly bedskirt, plush pillows of satin softness. A vanity, wardrobe, full-length mirror and folding changing screen. The carpets hugged her bare feet. The drapes reached out for her as they billowed in the wind. The ceiling fan lazily turned absently.

She jumped on the bed and rolled over onto her back. A goofy smile spread across her lips. She couldn't help but give her body a bit of a wiggle in joy and excitement. It was the room she had always wanted, a princess' quarters from decades past. An escape into the simpler days of yesteryear, when she could be a true lady.

The door eased itself open, gliding over the bristles of the carpet one strand at a time. He walked in, also barefoot, flowing cotton pajama pants dangling just above his ankles, his tight stomach lifting from his waistline, his arms tensing as they pushed open the door, then relaxing as they dropped to his side. Then he smiled.

And it was a smile that stole hearts, that plucked spirits from their bodies and breath from lips. Her body had been tensed up the entire time, she realized. Her lower back held tight just above her butt, her chest clutched, limbs outstretched nearly off the bed. She wanted to pounce upon him.

But before she could, he leapt on the bed and rolled around over her. He brushed aside the hair in her eyes, curling his fingers just behind her ear, running his hand down the back of her neck. Her eyes closed, his palm sliding down her back, grazing the tip of her butt. She felt his other hand coming closer, the electricity in the air, the vibrations rippling the air between them.

Then he rubbed her belly. And she loved his, tossing her body to and fro. Suddenly, this felt weird though. He went from sensual to tickling her rib cage and patting her bum. And she couldn't be happier. Her mouth opened and snapped shut a few times, and she growled and then her tail began to wag.

She woke up with her head in the sink, blood dripping from her nose and flowing down into the drain. Her phone buzzed as it got a text, but she didn't bother checking who it was.

Men Who Stare at Goats review

I loved this movie. Simple, effective, tightly plotted while still keeping you guessing. It doesn't hurt that it's about New Age psychic powers which I am intrigued by, but it also follows the hero's journey. Clooney as the guide, Bridges as the godhead, and Spacey as the villain. Even the goat as both a symbol of innocence and devilry.

I just also really love Ewan MacGregor too. I don't know if I've seen a movie with him that I didn't like (and yes, that includes Danny Boyle's 'A Life Less Ordinary' which oddly has similar themes). All the actors don't even have to try too hard to impress here. Nothing outstanding performance-wise, perhaps a bit too typical for them, but nonetheless, well done.

I need to find out who directed this movie and also track down the book by Jon Ronson. Peter Straughn, screenwriter. Grant Heslov, director. Ok, got that down. Now to take some notes from the documentary about the actual military men behind this.

General Stubblebine. 1995 decomissioned. Jim Chanon. Esoteric technology. Evolutionary tactics. First Earth Batallion. New Mental Battlefield.

I'll look into this and report back with more details.

K